Coco Fusco's First US Museum Survey: 'Tomorrow, I Will Become an Island'
WNYCSeptember 18, 202521 min147 views
30 connections·40 entities in this video→'Tomorrow, I Will Become an Island' Exhibition
- 🏝️ The exhibition "Tomorrow, I Will Become an Island" at El Museo Del Barrio is Coco Fusco's first US museum survey.
- 💡 The title is a paraphrase of a poem by Cuban writer Heberto Padilla, evoking the power and potential of transformation through art.
- 🌍 The survey is a version of a previously exhibited show in Berlin and an expanded version in Barcelona, with unique works included at El Museo Del Barrio.
Artistic Practice and Recognition
- 🎭 Fusco, a Cuban-American artist born in New York, uses video, performance, installation, photography, and writing.
- 🗣️ She is recognized as an "eloquent political voice" speaking against repression and for the unheard.
- 🖼️ While known for the controversial "Undiscovered Amerindians" piece, Fusco aims to showcase the breadth of her 30-year practice to younger audiences and students.
Exploring Historical Representation
- 🏛️ Fusco uses art to pose questions about imagining and inventing history, citing the example of an Afrofuturist period room at the Met.
- 🖼️ She challenges students to consider the validity of historical representations, comparing them to the way Jesus Christ is depicted in Western painting.
Key Artworks and Themes
- 🇨🇺 "La Plaza" (Empty Plaza) explores the Plaza of the Revolution in Havana, contrasting its historical role as a site of political theater with its current emptiness.
- 🚶 The film captures the plaza's diminished role, especially in the wake of the Arab Spring, and the significance of people refusing to gather or demonstrate.
- 🇺🇸 "Everyone Who Lives Here Is a New Yorker" compares historical immigrant portraits by Lewis Hine with contemporary arrivals, highlighting the continuous waves of immigration to New York seeking opportunity, safety, and freedom.
- 🚢 A piece involving a rowboat near Hart Island, the largest potter's field in the US, reflects on the presence of death and the dead during the COVID-19 pandemic.
- 🕊️ This work, created in homage to a friend, incorporates the ritual of throwing flowers into the sea, a common practice in Spanish-speaking countries to memorialize the dead.
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Coco FuscoEl Museo Del BarrioCuban-American ArtPerformance ArtVideo ArtInstallation ArtPolitical ArtImmigrationPublic SquaresHart IslandCOVID-19 PandemicArt HistoryMuseum Survey
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