Carrie Bradshaw's Wealth: Real Estate & Financial Fantasies in 'And Just Like That'
SlateAugust 27, 202532 min103 views
32 connectionsΒ·40 entities in this videoβCarrie Bradshaw's Unrealistic Manhattan Mansion
- π Carrie Bradshaw's apartment in 'And Just Like That' is presented as a two-story mansion in Gramercy, a stark contrast to her previous studio.
- π³ The kitchen is notably tiny and old-fashioned, featuring a half-table and a miniature refrigerator, despite the apartment's immense size.
- π‘ The writers acknowledge the apartment's unreality, with the small kitchen potentially serving as a nod to Carrie's previous living space and her character's disinterest in cooking.
- π° The source of Carrie's immense wealth, presumably from her late husband Big, is questioned, as his estimated fortune seems insufficient to explain such a lavish property.
Aiden's Farmstead and Financial Inconsistencies
- π³ Aiden Shaw's property is depicted as a multi-acre farmstead with a separate guest house, a significant upgrade from his previous smaller ventures.
- π€ A furniture collaboration with West Elm is cited as a potential, though likely insufficient, source for this level of wealth.
- π The possibility of smart real estate investments in the '90s is suggested as a more plausible explanation for Aiden's financial standing.
The Show's Financial Fantasies and Realism
- πΊ Many contemporary TV shows, including 'Nobody Wants This,' feature characters living in unrealistic, opulent homes.
- π Anthony Marentino's apartment is highlighted as one of the few realistic depictions of New York living for someone owning a bakery.
- β Lisa Todd Wexley's luxurious kitchen, featuring high-end appliances, signifies her success as a documentary filmmaker and her hedge fund husband's income.
- β The show's portrayal of wealth and financial stability is often fantastical, leading to viewer frustration and questions about realism.
The "Hate Watch" Phenomenon and Nostalgia
- π€ The concept of a "hate watch" is debated, with the idea that viewers may be embarrassed to admit they enjoy shows they deem low-quality.
- π Viewers remain invested in the characters' lives due to decades of connection and nostalgia, driving continued viewership despite perceived flaws.
- π The discussion touches on internalized misogyny, questioning why viewers might expect less for female characters or be critical of their success.
- ποΈ The prevalence of full-size beds for couples on the show is noted as an unrealistic detail, impacting comfort and practicality.
Character Finances and Relatability
- πΈ Miranda Hobbes's financial situation is considered more realistic, stemming from her smart real estate investments in Brooklyn.
- π₯ Miranda's temporary homelessness in the season is seen as a way to bring her character down a peg, making her situation more relatable.
- π Charlotte's vertigo is treated comically, contributing to the show's overall lighthearted and often unrealistic approach to characters' problems.
- π The show's focus has shifted from relationships to wealth and class signifiers, making the characters less relatable for some viewers.
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Whatβs Discussed
Carrie BradshawAnd Just Like ThatSex and the CityReal EstateManhattanGramercyWealthFinanceAiden ShawWest ElmNostalgiaHate WatchInternalized MisogynyMiranda HobbesCharlotte York
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