Barrie Keeffe on Writing The Long Good Friday: Harold Shand, IRA & Casting
[HPP] Brian O'MalleyOctober 15, 20258 min
14 connectionsΒ·20 entities in this videoβGenesis of The Long Good Friday
- π‘ The film's concept originated from a desire for a Humphrey Bogart-style gangster film set in East London, featuring a Cockney protagonist.
- π― The choice of the IRA as the antagonist was deliberate, aiming to create a force more powerful than a typical gangster rival, establishing a clash between capitalist gangsterism and idealist terrorism.
- βοΈ The initial draft of the screenplay was written remarkably quickly, over a single Easter weekend, which inspired the film's title.
Character of Harold Shand
- π Harold Shand was conceived as a man aspiring to be a respectable businessman, even dreaming of an OBE or knighthood.
- π₯ His character arc reveals that under intense pressure, he reverts to his violent gangster nature, unable to disguise his past.
- π¬ The speaker appreciated the idea that Shand had a history of violence before his attempt at respectability.
Casting Bob Hoskins
- π Bob Hoskins was considered an "absolute natural" for the role of Harold Shand, despite the part not being written specifically for him.
- π Hoskins brought a unique blend of humanity, innocence, menace, and humor to the character, making audiences root for him despite his actions.
- π¬ His acting career began late and by chance, when he stepped in for a friend at an audition, securing the part and launching his career.
Key Supporting Characters & Production Notes
- π Helen Mirren's character, Victoria, was seen as more than a "gangster moll," playing a crucial role in holding situations together and representing a recurring British theme of "posh lady" attraction to working-class heroes.
- β΅ Filming the yacht scene presented a challenge as yachts are uncommon in London in July, requiring creative solutions to secure a boat for production.
- π€£ A specific detail about Princess Anne playing lacrosse at Beneden, not hockey, was incorporated into the film after a real-life correction, adding a touch of authentic humor.
Writing Style and Impact
- βοΈ The writer's style, honed in theater, emphasizes using humor to engage the audience before delivering serious or dangerous moments.
- π This blend of menace and humor is a hallmark of the writing, particularly evident in Harold Shand's dialogue and character.
- π The film's enduring appeal, even to younger audiences, is attributed to this dynamic mix of danger and entertainment.
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Whatβs Discussed
The Long Good FridayBarrie KeeffeHarold ShandBob HoskinsIRAGangster filmsEast LondonScreenwritingCharacter developmentCastingHelen MirrenFilm productionHumor in writingBeneden SchoolPrincess Anne
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