Greta Gerwig & Noah Baumbach Discuss Frances Ha, Filmmaking, and Influences
The New YorkerNovember 7, 20131h 23min13,532 views
55 connectionsΒ·40 entities in this videoβFilmmaking Inspirations
- π‘ Greta Gerwig and Noah Baumbach discussed their creative process and influences during a Q&A session.
- π They shared their experience staying at Ingmar Bergman's guest house on a remote Swedish island, noting the magical atmosphere and remnants of his film sets.
- π¬ Bergman's preserved house included a chart grading his relationship with Liv Ullmann, offering a unique glimpse into his personal life.
- π₯ The film "Frances Ha" was made cheaply and in secret, granting them significant creative freedom.
- β¨ They aimed to capture embodiedness and effortlessness through dance in "Frances Ha," inspired by films like Claire Denis's "Beau Travail."
- π«π· Influences also included the French New Wave (e.g., "Jules and Jim") for visually establishing character and friendship, and Woody Allen's films for natural comedic acting.
Crafting "Frances Ha"
- π The film originated from Greta's early character notes, which initially contained darker elements that were later refined.
- π―ββοΈ "Frances Ha" uniquely centers on a friendship crisis, challenging conventional narratives that prioritize family over platonic bonds.
- π‘ The Sacramento montage in the film featured Greta's real family, intentionally portraying them with love and truthfulness, rather than cynicism.
- π Noah noted a shift in his work, with "Frances Ha" presenting a character, Francis, who is flawed but deserving of happiness, contrasting with earlier, more difficult protagonists.
- π― The film resonated deeply with audiences, particularly women, for its portrayal of a female narrative not solely defined by romantic relationships.
Exploring Settings & Characters
- π Noah discussed making "Greenberg" as an LA movie to explore his conflicted feelings about the city, drawing inspiration from Robert Altman's "The Long Goodbye."
- ποΈ They were inspired by the "yuppie in the underground" subgenre (e.g., "After Hours," "Something Wild") for their new "Untitled public school project," set partly in Midtown.
- π Noah challenged the audience's tendency to react negatively to "difficult" characters in film, arguing that such complexity reflects real life.
- π‘ Greta highlighted Leslie Manville's performance in "Another Year" as a masterclass in portraying drunkenness by intensely trying to make a point.
Creative Collaboration & Personal Insights
- βοΈ Greta and Noah collaborated on the screenplay, often writing separately and then exchanging material, finding insights they didn't consciously know they possessed.
- π They discussed the rules of using personal material in their writing, concluding that even shared experiences would yield vastly different artistic interpretations.
- π± Greta shared her journey into filmmaking, emphasizing the role of luck and finding a supportive community in New York, and romanticizing the hustle of aspiring artists.
- π Francis's journey in the film is likened to Joseph Conrad's "The Shadow Line," where significant life transitions are only recognized in retrospect.
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Whatβs Discussed
Frances HaFilmmakingIngmar BergmanSwedish IslandLiv UllmannFrench New WaveFriendship CrisisSacramentoGreenberg (film)Robert AltmanAfter Hours (film)Woody AllenJoseph ConradThe Shadow Line (novel)New York City
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